A piano and the stool which accompanies it are harmoniously covered with delicate crochet-work, with an almost kinetic and psychedelic effect, reflecting and reinterpreting, in the light of contemporaneity, concepts and practices which have fallen out of use. The use of a traditionally feminine work technique in the action of protecting, decorating and covering the whole of a musical instrument surpasses old-fashioned concepts and affirms the validity of the meeting between the traditional and the contemporary, the popular and the erudite.